God
as I'm tired of all these invitations on Purim!
Me often take for the Jew. It so happened that after the war, my father changed his English surname Smith Jewish Mouth. It was strange, my father. For example, a large part of his life he was a staunch Communist and left the party only in the late seventies. To war he left at the age of 17 - lied about age and he was sent to aviation. He was a tail gunner and did a bunch of crazy and brave things, about which he sometimes I was told. But, to be honest, I never discussed with him the change of name, and all I can think is that it was his way to pay tribute to those Jews who died during the war. And I was Rotom already on inertia.
My first role in the movie was the role of the skinhead. I then wandered around London, undertook some temporary earnings - as, indeed, all young British actors. Remember, I was on my bike, and I lowered the tire. It was in South London, close to the theater where I worked. In General, I went to them for the pump. Pump they were not, but it turned out that in this moment pass tests "Made in Britain (TV series directed by Alan Clarke. - Esquire). Someone asked me: "will Shave bald, if anything? " And I said "of Course".
I left from England only because for me there was no work.
Never
I can't help but think that living abroad.
Good sculptor I would definitely failed.
I'm an actor
. And that's all I know. So if I ever protru their talent, all - think I'm in the ass.
I was
something about 17 when I decided to become an actor. Of course, I had no agent, so I just decided to personally write all of the most famous Directors. Initially I planned to act in a big way, but then limited to the following list: Kubrick, Scorsese, Truffaut and Coppola. I had the camera with a tripod and remote shutter, so I made my photos and sat down to write letters. Type: "Dear Mr. Coppola, I, honestly, love all your movies, and if you need an English actor, then I am at your service". In General, I wrote something, put it in an envelope, sent it and seems completely forgot about it. And then there was a whole bunch of years, and I was in America. I was called to audition for the Coppola. He was going to shoot "on the road" by Kerouac (unrealized project Coppola. - Esquire), and I was invited to try out for the role of William S. Burroughs. We met with Coppola in the Church, and suddenly, instead of greeting, he said: "I've got something". He reached into the bag and pulled out my letter. It was the letter I wrote a bunch of years ago. And it was written in different colors - this was me then handle. It was something incredible. And Francis looked at me and said, "you Know, but I keep absolutely everything. No, in fact, every tiny thing".
When you work with Coppola, your day is coming for the week.
As you compare Polanski and Kubrick? I prefer to stay away from such comparisons.
I noticed strange thing: bad filmmakers can learn more than good.
To remove
a good gangster film, it is not necessary to revise the "Kill Carter" (1971 Thriller of the year with Michael Caine in the title role. - Esquire) 150 times. But it also helps.
Many critics was accused of "Mad dogs" in the fact that the screen has shed too much blood, like the blood in the human body not nine pints, and all four gallon (4, 25 litre and 15, 14 liter, respectively). I can say only one thing: at the end of each shooting day blood with me was washed away with a hose.
When I send the script and telling me I have to read something between "pulp fiction" and "Reservoir dogs", I throw it in the trash without hesitation.
I know
that due to "Lie to me" (TV series, in which the Mouth plays a psychologist) I look on the screen as the person who can solve any problem. But it is very far from the truth. As I think about the same things with all the other on-screen characters. School bullies cool spoiled childhood. Of course, I don't know about others, but in my childhood was very simple method to solve the problem: get the hell out and otheriwise.
Inspiration you need to draw that scares you.
I have always very uncomfortable feel in between movies. I think it comes from traditional English fear - fear of unemployment.
Life wanted to play someone with a long mustache.
I have always amused XVIII century: most men of this age look at the portraits as transvestites, and not just as transvestites, and how special their grade - shemale-cheapo. However, I understand that each of them had a sword, and they killed without hesitation.
It seems to mewhat if today revived the duel, very few people would use this tool to settle scores with the dregs. People have become cowardly and urucuia is there to talk about.
People always
remember the better villains than heroes. So I always wanted to play villains.
Hate when the screen actors too white teeth.
I almost
nothing I can say in Romanian.
One I know for sure: if you offer to work overtime - tvalivi.
Life
is not a bowl of cherries.
Source:
Esquire
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